The Sixth Sense Movie Review

Writer/director Shyamalan's sombre shocker was a massive sleeper hit in the US, proving that jaded mainstream audiences have an untapped appetite for disturbing, grown-up horror. Reminiscent of Polanski's Repulsion or Rosemary's Baby, it generates an insidious, incremental horror. Also, its scares grow out of carefully delineated human relationships, their immediate impact matched by a deep emotional undertow. Eight-year-old Cole (Osment) whispers his secret to shrink Malcolm Crowe (Willis): 'I see dead people.' But why have these purgatorial souls made contact with this bright, ultra-sensitive boy? Osment's extraordinary, moving portrayal of the brave but bewildered Cole might have unbalanced the film had not Willis, as the obsessive shrink, given his most subtle, sympathetic performance to date. Haunted by his failure to help a former patient, Crowe is oblivious to his estranged wife's emotional needs and desperate to redeem himself by saving the boy. Tak Fujimoto's muted colour photography imbues the everyday interiors and evocative Philadelphia locations with a gloomy but never depressing atmosphere. Similarly, the tone of the understated direction is melancholy rather than maudlin. A poignant study of the searing pain caused by loss, this all-too-human horror film provokes tears as well as fears.The Sixth Sense Movie Review

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Cole confesses his secret to his mother, Lynn (Toni Collette). Although his mother at first does not believe him, Cole soon tells Lynn that her own mother once went to see her perform in a dance recital one night when she was a child, and that Lynn was not aware of this because her mother stayed in the back of the audience where she could not be seen. He also tells her that the answer to a question she asked when alone at her mother's grave, "Do I make you proud?", was "Every day". Lynn tearfully accepts this as the truth.
Crowe returns to his home, where he finds his wife asleep on the couch with the couple's wedding video playing, not for the first time. As she sleeps, Anna's hand releases Malcolm's wedding ring (which he suddenly discovers he has not been wearing), revealing to Crowe that he was actually killed by Vincent and was unknowingly dead the entire time he was working with Cole. Due to Cole's efforts, Crowe's unfinished business—rectifying his failure to understand and help Vincent—is finally complete. Recalling Cole's advice, Crowe speaks to his sleeping wife and fulfills the second reason he returned, saying she was "never second", and that he loves her. Letting her live her own life, he is free to leave the world of the living and Cole had learned to live with the ghosts as it had become a part of his life.

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The next autumn, Crowe begins working with another patient, nine-year-old Cole Sear (Haley Joel Osment), who has a condition similar to Vincent's. Crowe becomes dedicated to the boy, though he is haunted by doubts over his ability to help him after his failure with Vincent. Meanwhile, his relationship with his wife has deteriorated to the point where she ignores him and refuses to talk to him. Crowe believes that she may be contemplating a romance with a coworker who keeps coming around the house although this elicits sadness from him not anger. Crowe also repeatedly has difficulty opening the door to his basement office.
Once Crowe earns his trust, Cole eventually confides in him that he "sees dead people... walking around like regular people". One ghost who appears to Cole is an overworked wife, abused by her husband, who has slit her wrists. Another that tries to hurt Cole is only heard as a voice who pleads with Cole to let him out of a dark cupboard, then yells that he didn't steal "the Master's horse" and threatens to attack Cole. A third ghost is a boy with a large gunshot exit wound on the back of his head who asks Cole to come with him to find his father's gun.

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The Sixth Sense is a 1999 American psychological horror film written and directed by M. Night Shyamalan. The film tells the story of Cole Sear (Haley Joel Osment), a troubled, isolated boy who is able to see and talk to the dead, and an equally troubled child psychologist (Bruce Willis) who tries to help him. The film established Shyamalan as a writer and director, and introduced the cinema public to his traits, most notably his affinity for surprise endings. The film was nominated for six Academy Awards, including Best Picture.Dr. Malcolm Crowe (Bruce Willis), a child psychologist in Philadelphia, returns home one night with his wife, Anna Crowe (Olivia Williams), after having been honored for his work. Anna tells Crowe that everything is second to his work. The two then discover that they are not alone; a young man appears brandishing a gun. He says that he does not want to be afraid anymore and accuses Crowe of failing him. Crowe recognizes him as Vincent Gray (Donnie Wahlberg), a former patient whom he treated as a child for hallucinations. Gray shoots Crowe in the abdomen, and seconds later kills himself with the gun.